Showing posts with label Eka Kurniawan. Show all posts
Showing posts with label Eka Kurniawan. Show all posts

Tuesday, April 5, 2016

Eka Kurniawan & Man Booker Prize


I carried an interview Indonesia author Eka Kurniawan whose book Man Tiger has been nominated for the prestigious 2016 Man Booker International awards.  The interview was published in theSun today.  Here is the full story....

Headline : King  of the Literary Jungle
By Bissme S

EKA KURNIAWAN, considered one of the most exciting, edgy writers in Indonesia, recently saw his book Man Tiger selected for the prestigious 2016 Man Booker International awards, with industry peers calling him the first Indonesian author to be nominated. The winner of the award will be announced on May 16.
 Man Tiger is a 2015 published translation of Eka’s original 2004 novel Lelaki Harimau, his second book after his landmark debut, 2002’s Cantik Itu Luka. He has since published Seperti Dendam, Rindu Harus Dibayar Tuntas (2014), and his latest book, O (2016).
In an email interview with theSun, Eka  recalled how he found out about the nomination. He says: “Some of my friends texted me the good news. But I didn’t get it. While waiting for my car to be serviced, I realised my mobile phone was full of missed calls and messages. Many of them were from journalists. I spent the whole day answering their questions.”
Eka  is extremely grateful that people thought his work was good enough to be nominated. Most of the time, he tries not think about the many accolades he has received for his books over the years.
Man Tiger begins with a young man named Margio, who violently murders Anwar Sadat, the richest man in a village. The story continues in flashbacks, where the readers learn that Margio hates his father for abusing his mother. He always had the desire to kill his father, but never found the courage to carry it out. The novel also blends in supernatural elements, where Margio believes a female white tiger is living inside him.
The inspiration for this story came when Eka heard about a violent murder that took place in his hometown years ago. He wanted to write a fictional novel about the murder, but eventually abandoned the idea.
“Then, a friend told me that he found a tiger in his bedroom,” he says.
“I do not know whether my friend was telling me the truth or if he was pulling my leg. Oddly enough, his confession got us talking about the stories of mystical white tigers we used to hear about as kids.”
It was then that Eka decided to revive his abandoned story, and blended it with the supernatural element of a white tiger.
When asked if he still believes in supernatural elements, he says: “If I believe in the supernatural, I have to prove that it exists, and I cannot do that. If I don’t believe in supernatural, I still have to prove it does not exist and I can’t do that, either. I am a skeptic but at the same time I love mystery in everything.”
He says his grandmother was the first person to expose him to the art of storytelling. She loved to narrate legends, fairy tales and the history of the village to him.
Another person who played an important role in his love for storytelling was a distant relative, an old lady who lived alone. Almost every evening, he and the other children would gather at her porch, where she told them magical tales.
His father, a tailor and a part-time English teacher, also played a role in instilling the love for stories in him. He would bring back books for Eka to read. From an ardent reader, Eka slowly progressed to becoming a writer.
One of the changes he loves to see taking place in Indonesian literature is an increase in Indonesian readership.
“Indonesia has a big population, but only a tiny percentage of readers,” he says.
“We need to build more libraries around the archipelago.”
When asked if stories should have messages that can change the society for the better, Eka answers: “Consciously or unconsciously, a writer always has messages in the stories. But the writer must understand that readers may interpret these message differently [from the original intent]. The readers may not see things the same way [as the writer]. The writer has no control over how his readers would interpret his stories.”
But Eka strong believes a story should not become a sermon.
“Once a story becomes a sermon, the story is no longer interesting.”

Side bar 

2016 Man Book Prize Nominees
1)A General Theory of Oblivion
Author: José Eduardo Agualusa (Angola)
Translator: Daniel Hahn
---------------------------------------------------------

2) The Story of the Lost Child
Author: Elena Ferrante (Italy)
Translator: Ann Goldstein
--------------------------------------------

3) The Vegetarian
Author: Han Kang (South Korea)
Translator: Deborah Smith
-----------------------------------------------------

4) Mend the Living
Author: Maylis de Kerangal (France)
Translator: Jessica Moore
------------------------------------------------
 5) Man Tiger
Author: Eka Kurniawan ( Indonesia)
Translator: Labodalih Sembiring
-------------------------------------------------

6)The Four Books
Author: Yan Lianke (China)  
Translator: Carlos Rojas
----------------------------------------

7) Tram 83
Author: Fiston Mwanza Mujila(Democratic Republic of Congo/ Austria)
Translator: Roland Glasser
-------------------------------------------------------------------------

8) A Cup of Rage
Author: Raduan Nassar (Brazil)
Translator: Stefan Tobler
------------------------------------------------------------------

9) Ladivine
Author: Marie N. Diaye (France)
Translator: Jordan Stump
------------------------------------------------------------

10) Death By Water
Author : Kenzaburo Oe (Japan)
Translator: Deborah Boliner Boem
-------------------------------------------------------

11)White Hunger
Author : Aki Ollikainen ( Finland)
Translator: Emily Jeremiah & Fleur Jeremiah
--------------------------------------------------------------

12) A Strangeness in My Mind
Author: Orhan Pamuk (Turkey)
Translator: Ekin Oklap
---------------------------------------------------------

13) A Whole Life
Author: Robert Seethaler ( Austria)
Translator: Charlotte Collins
---------------------------------------------------------------

Eka... churning out another masterpiece

Lelaki Harimau translated into English .... 

Wednesday, July 23, 2014

Eka Kurniawan


Today theSun published article where I have interviewed a famous fiction writer  Eka Kurniawan who is from Indonesia. I would say a big thank you to Wan Nor Azriq and Ainul Muaiyanah for arranging this interview. Below is the full article.  

Suggested Headline : Rattling Minds 
By Bissme S 

Eka Kurniawan  is acknowledged as one of the most exciting fiction writers in Indonesia. His debut novel, Cinta Itu Luka, published in 2002, received critical reviews and won him fans throughout. 
Since then, the 39-year-old has written three novels and three collections of short stories. Born in Tasikmalaya in West Java, in 1975, Eka was in Malaysia recently for a book event and to promote his new book, Seperti Dendam, Rindu Harus Dibayar Tuntas. He sat down with theSun to share his thoughts on his work and motivation, the literary scene in Indonesia and his new book.

*You have been compared to (the late) Pramoedya Ananta Toer, one of Indonesia’s finest writers. Some believe you are the most exciting writer that Indonesia has produced since. Any comment?

I believe the comparison is not fair. Pramoedya and I came from two different generations and two different eras. So, we tend to look at Indonesia very differently. When two people look at
something differently, naturally the stories we tell will be different.
I really believe you cannot make a comparison between the two.
Each writer has his own style and his own perspective. Pram is one of the finest writers in my country. But he should not be made into a God.

*Some readers love your latest novel Seperti Dendam ... but others were not comfortable with the vulgar language.

My characters in the novel arefrom the lower class and I was capturing the language these characters tend to use when it comes to sex.I also looked at some of the graffiti writings on sex that you normally find behind the trucks(In Indonesia, graffiti is often found on trucks). I have used some of these graffiti writings as an inspiration.Personally, I take these comments as compliments. It is like some people who do not like seafood but when a chef cooks up  a good seafood dish, they enjoy the flavours. They forget the dish they are eating is seafood.

*Your novels deal with sexual themes. Some may feel good literature should discuss the mind rather than desires of the body. What is your comment?

I don’t agree. We should be discussing anything that is relevant to human life – mind and body, happiness and sadness, virtue and sin.Our society and our history are always dealing with the pain and joy of our bodies and our minds as well.

*What motivates you as a writer?

I started writing at the age of 11. I was not a clever student nor was I keen on sports. I wanted to win the attention of my classmates, especially the opposite sex.So I started writing poetry. But over the years, I became serious about making writing my profession.

*What is the misconception that people have about you?

After reading my work, some people have this impression that I
am a serious old man. But when they meet me, they are surprised
that I am nothing like that (he looks boyish and jovial and loves
to laugh).To me, an ideal literature is telling a serious story with a touch of humour. I know people who read my work and have a good laugh. But in the end, they regard my work as serious literature.

*Do you think every story should have a message?

Consciously or unconsciously,writers [leave] messages in [their]stories. [But] readers may not see things the same way the writer wants them to see. The writer simply has no control over how readers interpret his stories.
I really believe a story should not become a sermon. Once a story becomes a sermon, the story is no longer interesting. I write
mainly to disturb the mind of my readers (laughs).

*Why do you want to rattle the mind of your readers?

Literature is one of the ways to discuss our existence in this life, to
share our ideas and to react to other people’s ideas. What is the
best way to get people into a discussion? Perhaps by disturbing
their mind ... am I right?

*How do you take criticism?

A well-known critic of a newspaper gave my first novel(Cinta Itu Luka) a bad review. He said that my novel had no direction – it was not realistic nor was it surrealistic. I did not mind his review. But my friends and my fans were not happy.
They felt the critic was unfair and that he did not appreciate a
young writer’s view of the world. They critiqued him for giving me a bad review. The reviewer jokingly told me that my friends and my fans were very garang (fierce)!

His latest book 

His first book