This blog highlights some of the interesting interviews I have done as a journalist. I really believe what makes these interview interesting is the honest answers that my interviewee has given to the questions I throw at them. Hope you enjoy reading these interviews as much as I had fun writing them. If the readers of the blog wants to write to me, they can do at this email(bissme@gmail.com)
Showing posts with label Mahi Ramakrishnan. Show all posts
Showing posts with label Mahi Ramakrishnan. Show all posts
Monday, June 20, 2016
The courage of Refugee
Today thesun published my interview with Mahi Ramakrishnan who talks about an art festival that she is organizing that celebrates the courage of refugee and her latest documentary Bodies for Sale. Here is the full story.
Headline: Seeking Humanity in the Arts
By Bissme S
Documentarry filmmaker Mahi Ramakrishnan and audio visual artist Goh Lee Kwang are the brains behind the three-day Refugee Festival, taking place at Black Box, Publika Solaris Dutamas, in Kuala Lumpur, from June 24 to 26.
“It is difficult to live the life of a refugee,” says Mahi in a recent interview, pointing out the fact that these people have left everything behind in their home countries, where they are often oppressed and suppressed.
“They come to a new country in search of a better future,” she adds.
“They are not victims. They are survivors. And this festival celebrates their courage.”
The festival will feature screenings of short films and documentaries, photography exhibitions, poetry reading, dance performances, and a bazaar selling food and artworks by the refugees.
However, there are Malaysians who believe refugees add to social ills here. “We are always afraid of something we do not know,” says Mahi.
“Come to the festival, and meet the refugees and listen to their stories. You will realise that they are just like us. “
All they want is a better life for themselves and their family.
“We have to realise that these refugees are a part of our community. We should create a conducive environment for them to live in. “Malaysia can be a role model for other countries to follow in dealing with the refugee issue.”
One of the highlights of the festival is an art exhibition by 16 refugee children depicting their lives in Kuala Lumpur, entitled KL Kita Je.
Visitors can also write their names (with their IC number) on postcards which are addressed to our Prime Minister Datuk Seri Najib Abdul Razak. These postcards will be sent to the prime minister to urge him to provide proper education for the refugees’ children.
“We have about 34,600 refugees below the age of 18, and it is important for these children to have a proper education,” she says. On her new documentary entitled Bodies for Sale, set to be screened at the festival on June 26 at 2pm, she tells of the heartbreaking and shocking stories she has documented.
The 30-minute documentary depicts the abuse the Rohingyas have to endure at the hands of human traffickers. They range from rape to starvation, all while they are fleeing from persecution and injustice in their home country of Myanmar.
“Whenever we talk about rape, we often imagine it is a woman getting raped,” says Mahi.
“This time around, I managed to get a Rohingya man … to speak about his experience.”
The man tells how four traffickers held him down, while taking turns to rape him. Mahi says that the rape took place in front of everyone, but none of the other refugees dared to stop it because they feared repercussion from the traffickers.
Mahi is also told of a sick game the traffickers used to play on the refugees. They would shout out that the authorities were conducting a raid and watch the refugees panic and start running for cover. The traffickers would then chase after the female refugees, catch them and rape them.
“These sick people just love the thrill of scaring their victims,” Mahi says.
“It [was] not only men and women who got raped. Children got raped, too.”
For Mahi, these horrific tales were depressing to listen to, gut-wrenching and extremely upsetting. “
There is sense of helplessness and hopelessness in their situation,” she says.
“It is difficult for me to emotionally detach myself from what I am hearing. I feel so sad and angry that there are people who have the power to stop this abuse, but they are doing nothing about it.
“This has motivated me to make this documentary and show it to the public. I am hoping that, after watching this documentary, perhaps we could put our minds together and find a solution to stop the abuse of the refugees.”
Thursday, May 29, 2014
Mahi Ramakrishnan & Child Prostitution In Malaysia
I interview a documentary maker who made a film on child prostitution in Malaysia . The story appeared in theSun newspaper on May 20
Headline : Agent For Change
By Bissme s
MAHI Ramakrishnan worked as a journalist for 18 years before venturing into making documentaries in recent years.She has worked with media organisations such as the prestigious American weekly Time magazine and international news network Al Jazeera, and is currently a freelance foreign correspondent for USA Today, a daily that has a readership of more than three million.
She also freelances for Arise News Network, a 24-hour international TV news network with stations in London and New York.Recently, Mahi held a private screening of her latest completed documentary (her sixth), this time on the issue of child prostitution in Malaysia, to a selected group of Malaysians who then participated in an interesting discussion after the screening.
The 45-year-old Perak-born filmmaker spent more than two years working on the 30-minute documentary, Trapped: The Underage Sex Trade in Malaysia. She had previously tackled such sensitive issues as baby trafficking.
"Sometimes, I feel that change is not taking place," Mahi laments. "Those who watched my documentary were animated and had intense discussions after the screening. Then they went home and forgot about the issue.
"Whenever I tell people that child prostitution exists in Malaysia, they refuse to believe me. But when they watched my film, they were stunned. Child prostitution is more subtle over here."
She adds that it took her over two years to get the story as it is not easy to get people to talk about a sensitive subject like child prostitution.
"I met with pimps. But they refused to help," she says. "Instead, they tried to convince me that child prostitution does not exist here."
But Mahi did not give up. Finally, her persistence paid off when a pimp introduced her to three underage female sex workers.
The first girl came from a poor family in India. The girl's mother was told that her child could earn good money working as a maid in Malaysia.
"The moment she landed in Malaysia, they made her work as a child prostitute. She was only 13 then. When I met her, she was 15.
"I recall asking her why she was willing to talk to me and she said she had hoped that I would be able to rescue her."
Although Mahi attempted to save the girl, it was not to be as the girl disappeared soon after that. "The girl was my daughter's age and I felt so devastated that I could not help her."
The other two underage prostitutes she interviewed were from Indonesia and Thailand. Both were 16 and came over to work as sex workers on their own accord.
In the documentary, the Thai girl claimed she didn't have any difficulty getting across the border.
Mahi suggests that our Immigration Department look into that girl's claims.
"We should not take this matter lightly as we are talking about child sex here and child sex is illegal. It is the duty of every country to provide a safe environment for every child."
Why did the pimp allow Mahi to interview these underage prostitutes?
"I asked myself the same question. I'm still wondering about the answer," she says. "I was only given 10 minutes to talk to each girl. Maybe, the pimp knew he was safe and business would go on as usual."
Mahi wants her film to bring public awareness on the tragedy of child prostitution.
"I want society to organise itself and lobby for changes, without waiting for lawmakers to initiate such campaigns.
"As a documentary filmmaker, I want my movies to help bring change to society and for the better."
In the meantime, Mahi is just wrapping up her latest documentary – Seeds of Hatred – on the persecution of the Muslim Rohingya community and the discrimination faced by the people in Myanmar.
She made several trips to Myanmar last year to shoot the documentary.
"I hope my documentary will enable the people in Myanmar to understand that everyone had suffered tremendously during the military rule," she says.
"I hope they can reach out to one another. I hope they will become a stronger force and their voices will be heard."
When asked what she thought about opposition leader Aung San Suu Kyi's response to the plight of the Rohingya, Mahi did not mince her words.
"I used to be a big fan of her," she says. "I thought she would be great for Myanmar.
"I had expected her to speak up about the persecution of the Rohingya. These people were being murdered and burned alive.
"But she said nothing. She has turned out to be a huge disappointment."
Mahi hopes to screen Seeds of Hatred in Myanmar sometime later this year.
PS: Below are the pictures from her latest documentary Seeds of Hatred
| Mahi went to Mymanmar several times to shoot her documentary Seeds of Hatred |
| Mahi hopes to show Seeds of Hatred in Mymanmar end of the year |
| Seeds of Hatred is documentary that touches on the political landscape of Mymanmar |
| Another interesting scene from the documentary Seeds of Hatred |
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