Showing posts with label Afdlin Shauki. Show all posts
Showing posts with label Afdlin Shauki. Show all posts

Thursday, August 6, 2020

Bully

Content creator Arwin Kumar and film director cum actor Afdlin Shauki speaks to me about the bullying they faced in their schoold days. 

By Bissme S

ARWIND KUMAR had a miserable time while at secondary school. His seniors called him derogatory names. Slowly, the verbal abuse turned into physical abuse.
“I dreaded going to school every day,” says the 25-year-old content creator and mental health advocate.
“I was kicked. I was spat on. I did not cause any harm to them. I was simply clueless as to why they were mean to me. I kept asking myself what I had done to deserve this.”
He thought that life was not worth living and had suicidal thoughts. The bullying only stopped when he was 16.
“The seniors who bullied me graduated and left school,” said Arwind.
“I felt a sense of relief. Slowly, I was able to enjoy my remaining high school days.”
But the bullying haunted him later as an adult.
“I had no self-esteem left,” he said.
He was afraid to voice out his opinions, and suffered panic attacks when he was in public places. Slowly, he learned to overcome his fears.
He feels boys should be given the freedom to express their emotions.
“When a boy cries, you always find people will tell the boy to ‘stop crying like a girl’,” he says.
“By making these kinds of comments, you are giving a wrong picture to the young boy. You are telling him that he should be an alpha male ... he should be rough and tough ... He should not be soft by showing his emotions. Indirectly, you are creating a toxic masculinity atmosphere.
“No boys are aggressive naturally. It is how we raise them. There should be no gender [limitations] when it comes to expressing emotions.”
Like Arwind Kumar, comedian, actor and director Afdlin Shauki went through a similar experience. His bully called him many unkind names, from ‘fat’ to ‘slob’. But he decided to use his talent for comedy to protect himself.
“I was making my bullies laugh,” says 49-year-old Afdlin.
“So, my bullies found me funny and left me alone. They considered me the class clown whose main aim was to entertain them.
“My comedy skills saved me from getting bruises.”
But the vicious name calling was enough to scar him for life.
“I suffered from an inferiority complex,” he says.
“I thought I was never good enough. I believed that if any good thing happened to me, it was because I was lucky. That my hard work and talent did not play a role.”
He had to go through a cycle of self-analysis before he was able to gain some confidence.
He says: “When I became confident, I became aggressive, and became a bully myself. I was putting people down, emotionally. I was doing to other people what the bullies did to me.
“I had the wrong perception that to be powerful, you have to put people down. From an inferiority complex, I began to have a superiority complex.”
Luckily, he managed to overcome this negative stage of his life. In fact he directed two films, Buli (2004) and the sequel Buli Balik ( 2006) to emphasise that bullying can have dire consequences.
It upsets him tremendously whenever he sees a viral video where children are bullying other children. He believes schools should provide psychology services to students who have suffered through bullying.
“You do not want them growing up as destructive individuals,” he says.

Side bar : 
Headline What makes a person a bully

MATILDA XAVIER, the clinical psychologist who is the founder of Mentem Psychological Services, has said that bullying is all about powerplay.
She says: “People bully because there is a difference in power. The one who is doing the bullying feel he or she has a more powerful standing [in life].”
The reasons that someone resort to bullying may vary. The person could have seen this kind of behaviour in his or her own home, and accept it as normal, and eventually practised this behaviour with classmates.
“Others bully because they want to impress their classmates,” she says.
She does not rule out the possibility that bullies could also be victims themselves, and may want to unleash a similar pain upon their innocent classmates while at school, allowing the cycle of viciousness to continue.
She firmly believes one cannot minimise the act of bullying.
“You cannot say bullying is simple teasing between friends,“ she says.
“Teasing is where you and the other person are having fun, and both of you are laughing. Teasing is not about putting someone else down. The moment the other person feels attacked, it is no longer teasing. You cannot justify behaviour where people’s actions can lead to shame.
“What do you get when you shame the other person? There should be zero tolerance for bullying.

Wednesday, September 17, 2014

Afdlin Shauki & Sandakan Tears



Today theSun runs an interview Afdlin Shauki, a Malaysian film maker who will be co directing with an award winning Hollywood director Roger Christian on his next film Sandakan Tears.  Read the full story below 

Headline: Afdlin's Sweat & Tears 
By BissmeS

Putting Malaysia on the  world map is Afdlin Shauki’s next big dream. The 43-year-old producer- director-actor hopes to achieve this dream with the next film that he will be producing – Sandakan Tears. He will be co-directing this film with Hollywood director Roger Christian. The latter’s directing credits include Nostradamus (1994) starring Julia Ormond and F. Murray Abraham; Masterminds(1997) starring Patrick Stewart; and Battlefield Earth (2000) with John Travolta and Forest Whitaker.
Christian’s work as an art director and production designer was highly regarded. He won an Oscar for the set decoration for Star Wars IV: A New Hope (1977) and received a nomination for an Academy Award for his art direction of Ridley Scott’s Alien(1979). 
“Since I started my career 15 I had a dream of making a Malaysian movie that could break into the international cinemas, or even get a nomination for the Oscars,” says Afdlin, the award-winning film director. 
“I am so happy that this dream is slowly becoming a reality. For the last two years, I have not directed any film as I have to focus on Sandakan Tears.” 
Afdlin says movies from other Asian countries such as Indonesia, Singapore and Thailand are slowly gaining global recognition and winning international awards. 
He cited Anthony Chen from Singapore, who won an award at Cannes Film festival for ILO ILO last year. 
“It is time for Malaysian films to broaden their horizons and appeal to a wider audience,” he says. 
The shooting for Sandakan Tears will start early next year and if all goes well, Afdlin hopes to premiere Sandakan Tears at Cannes Film Festival in 2016. Currently, a pool of scriptwriters from Hollywood are working on the script and the first draft is almost completed. 
Afdlin says that one of the scriptwriters has had the experience of working with Martin Scorsese on the Oscar winning film Goodfellas. Sandakan Tears is based on a historical event called the Sandakan Death Marches. It occurred during World War II, when Australian and British soldiers were captured by the Japanese and shipped to war camps in Sandakan (Sabah).
The prisoners were tortured and given little food or medical care. There were a series of forced 
marches from Sandakan to Ranau that caused the death of more than 2,000 prisoners of war. 
“It was one of the darkest periods in our history which has not been explored on films. The movie tells of the evils of war. It’s so relevant because there are so many wars taking place in the world today.”
Afdlin admitted Christian had offered Oscar nominated actor Hugh Jackman a lead role in Sandakan Tears. Many sceptics, however, do not foresee the X-Men star taking up the offer. 
“Two years ago, when I first talked about Sandakan Tears and the desire to hire a Hollywood director to make this film, everyone was sceptical,” Afdlin says. 
“Now, that dream is becoming a reality. You will never know ... 
Jackman might just say yes as the movie touches on his history, too. 
“He is from Australia and the movie touches on the plight of Australian soldiers who had suffered in the war. He could well say yes due to sentimental or patriotic reasons. Nothing is  impossible.” 
Even if Jackman declines, Afdlin will not give up on enlisting another Hollywood star. 
“We need at least one or two names from Hollywood to pull in the crowd,” he says. 
Some critics are not happy with Afdlin using Hollywood talents as crowd puller for Sandakan Tears. 
“It is not that I don’t have faith in Malaysian talents,” Afdlin says. 
“The crew is Malaysian, including myself, on the set who will watch the Hollywood talents in action. We will learn from them. There will be an exchange of knowledge between Malaysian and 
Hollywood talents.” 
He pointed out that an Indonesian movie, The Raid, had gained successful international followings as a result of having used Hollywood stunts in the production. 
“They (Indonesia) were not afraid to ask for Hollywood’s help, so why should we?” he asks. 
True to his excitement in making films, Afdlin also talks about his role in the Berjaya Youth Short Film Competition. 
“I have been involved in the Berjaya Youth Short Film competition since it began four years ago,” he says. “And I have seen many good stories being told in this contest.” 
This short film contest offers a platform for youths from the ages of 18 to 25 to express their creativity by producing positive and inspiring stories through short films.
This year, the contest offers four themes – Culture, Eco, Inspiration and Youth. The contestants are expected to make a five-minute film based on one of these themes and submit their entries before Sept 24. The top three winners, including that for the People Choice award will be announced at the end of the year. 
Afdlin hints that the winner of this contest would also have a chance to be on the set of Sandakan Tears and learn about filmmaking from the Hollywood honchos. More on the Berjaya Youth Short Film contest can be obtained from Berjayayouth website.


Roger Christian- the director from Hollywood
Afdlin  spent two years on the film.

Monday, December 2, 2013

Afdlin Shauki , Papadom 2 & Sandakan Tears


On Nov 26 the sun ran a story  where I interviewed Afdlin Shauki who talked about his sequel to his hit film Papadom as well as co directing a Hollywood project that

Suggested Headline : The Return Of Undercover Dad

A father's love for his daughter is beyond question and comparison.Comedian and director Afdlin Shauki explores this emotion in the sequel to his hit film Papadom. Although the sequel was completed in 2012, it will only open in cinemas on Dec 12. When Afdlin’s Papadom hit the cinemas in 2009, it became a big hit. The story centred on a widower Saadom (Afdlin) who is over-protective of his daughter Mia (Liyana Jasmay). Feeling stifled, she moves to Kuala Lumpur to pursue a course on film-making.
Without her daughter’s knowledge, Saadom gets himself a job as a gardener in the university where she is studying to keep an eye on her. And the doting dad’s new job created the comedy moments for the movie.
Papadom made a huge impact at the 22th Malaysian Film Festival, grabbing the best film award as well as the best actor and best actress awards for Afdlin and Liyana respectively.
In the sequel, Afdlin and Liyana will reprise their roles as father and daughter. This time, Mia is working as one of the crew members at a film set. Through reliable sources, Saadom learns that three men on the set are interested in Mia and are trying to woo her.
He goes undercover as one of the extras on the set to investigate the men. He wants to make sure that only the best candidate gets to wed Mia. Once again, Saadom finds himself challenged and that makes for truly hilarious and chaotic scenes.In an exclusive interview, Afdlin shares his candid views on the film.

*Some sequels are never as successful as the original film. Are you afraid of that with Papadom 2?

“When I made Papadom, many people had doubts of the movie’s success. Our cinemas were flooded with gangster and ghost movies as the critics believed the audience was not keen on films about
family relationships. But Papadom turned out to be a success. I had invited a test audience to watch Papadom 2 and they liked what they saw.There are more conflicts and dramas in Papadom 2. All I can say is to bring lots of tissues to watch this movie.”

*Tell me what kind of a father are you? Are you anything like your character Saadom in Papadom?

“Like Saadom, I am also a workaholic. My children (he has three daughters, age between three and 14) complain that I do not spend enough time with them. But I work hard because I want to give them a better life. Saadom can be overbearing and overprotective and I am the same.
“In future, my daughters’ boyfriends are going to have a tough time dealing with me. I will scrutinise them like an FBI agent (laughs).”

*Do you prefer to be a comedian in front of the camera or working behind the scene as a director?

“No one wants to see an old actor like me on the screen any more (laughs). The audience are more interested in younger faces. So it is better that I move behind the camera as a director. I have no complaints as I enjoy my work. But there will come a time when no one wants to watch the kind films that I direct. Then I will have to change, again. Perhap by then, I will wear the hat of a producer. And if the time comes again when noone wants to see the kind films that I produce, then I will have to stop being a producer and put my mind into doing something else.”

*What is the next film you will be directing?

“I have two film projects currently in my mind. One is called Angkasawan that is set in a futuristic Malaysia – where we will send a second astronaut to space. There will be some comedy elements in the film.
“My next film may be called Jin Tiger, and it’s a black comedy about a gangster who finds faith, religion and wants to reform. But his gang members try to pull him back into a world of crime.”
All your films have comedy elements.

*Do you have any plans to direct a serious film?

“Yes. Next year, I plan to co-direct an English film called Sandakan Tears with a Hollywood director. Most of the cast and crew are going to be from Hollywood and Australia.The film is loosely based on our history of the so-called Sandakan Death Marches. Australian and British soldiers captured by the Japanese during WWII
were shipped to war camps in Sandakan (Sabah).
“They were tortured and given little food and medical care. Some prisoners were even forced to march through the jungle and as they reached the foot of Mount Kinabalu, the Japanese soldiers
shot and killed them.
“I am also the executive producer of the film and we have plans to distribute the movie, internationally. I believe it is story that the world would love to see.”